Vajradakini is shown central. At the center of the upper group of figures is Vajradharma, the cosmic progenitor of the teaching linege of this tutelary goddess. To his left is Sachen Kunga Nyingpo the founder of the Sakya lineage and propigator of this teaching in Tibet. Flying in the sky is poosibly one of the Nepali Pamding brothers who brought this teaching from the Indian subcontinent over the Himalayas to Tibet. Below them are two yellow hatted lamas of the Gelug lineage. At the bottom of the painting we see Yellow and Black Jambala, different manifestations of the same wealth deity.
M. Mokotoff 2\98
VAJRAYOGINI, NARO KHECARI (Tibetan: dor je nal jor ma, na ro kha cho ma) from the lineage of the Indian mahasiddha Naropa.
With one face and two hands, she is red in colour and naked. With the left hand she holds aloft a skullcup from which she drinks with an upturned face. The left hand, pointed downwards, holds a curved flaying knife with a gold vajra handle. Resting on the left shoulder is a vajra tipped katvanga staff. Adorned with various bone ornaments of a tiara, girdle, bracelets and a necklace of dry skulls and the like, she wears a dark green scarf wafting about the upper body and limbs. Standing above the forms of the two deities red Kalaratri and black Bhairava, a sun disc and multi-coloured lotus, she is completely surrounded by the flames of pristine awareness.
At the top center is Vira Vajradharma, red, holding a damaru drum in the right hand and a skullcup to the heart with the left, cradling a katvanga staff in the bend of the elbow; in a seated posture. To the left is an Indian mahasiddha flying in the air holding a damaru in the right hand and a skullcup in the left. These iconographic characteristics are usually those of the Indian mahasiddha Kanha of the Chakrasamvara lineage, however in this case it is unclear who is being portrayed although it is most likely the mahasiddha Naropa. On the right is Sachen Kunga Nyingpo (1092-1158), wearing the attire of a layman, with the right hand in the gesture of generosity and the left holding the stem of a lotus to the heart. Below and on each side are two Gelugpa lamas wearing monastic robes and yellow pandita hats, in a seated posture.
At the bottom left is the wealth deity yellow Jambhala with one face and two hands holding in the right a bijapuraka fruit and in the left a mongoose expelling jewels. On the right is the standing black Jambhala, naked and semi-wrathful, holding a skullcup in the right hand and a mongoose in the left. Various wish-fulfilling jewels are arranged in front. The background portrays a rich verdant landscape of grasslands and green mountains.
Vajrayogini belongs to the 'wisdom class' of tantra and arises specifically from the Chakrasamvara Cycle of Tantras. In Tibet the practice is included amongst the 13 Golden Dharmas of Glorious Sakya. In more recent times the practice has gained popularity in the Gelugpa School.
Distant Lineage: Vajradharma, Vajrayogini, Mahasiddha Ghantapada, Tengipa, Antarapa, Tilopa, Naropa, etc.
Near Lineage: Vajradhara, Vajrayogini, Naropa, the Phamtingpa brothers, Lokkya Sherab Tseg, Mal Lotsawa Lodro Dragpa, Sachen Kunga Nyingpo, etc.
J.Watt 7-98.