In the appearance of an Indian yogi, brown in colour, thoroughly embraced by the wisdom consort he holds in the two hands a gold vajra and bell. Adorned with a crown of dry skulls, gold bracelets and anklets, he wears a long blue scarf and a short skirt of red and green cloth.

Legend: the local King Devapala, who having insulted the mahasiddha, the latter now with vajra-anger and dropping a pot of alcohol, causes the Goddess of the Earth, at the upper left, to incur a flood. A regretful Devapala, with reverence calls out for help. On hearing the petition, instantly the bodhisattva Avalokiteshvara appears standing at the bottom right, white in colour, with one face and two hands, wearing a krishnasara deer skin over the left shoulder, proceeds to save the kingdom by averting the flood. The king, requesting teachings, receives the parting words of the mahasiddha and consort as they ascend to the pureland of the Dakinis.

The mahasiddha Ghantapa is most famous within the Chakrasamvara lineage and plays a role as lineal guru within all the Sarma Schools.

Jeff Watt 10-98

This is one of a set of 9 paintings of 8 mahasiddhas and Padmasambava developed by the seventh Situ Panchen at Palpung monastery. A number of sets of this series were painted after Situ Panchen's original set. (cf. history of Tibetan Painting, David Jackson) exist in partial completion, but no complete set of 9 is known.

Moke Mokotoff 11-98