Within the center of the two-dimensional circular diagram (mandala) representing the top view of a three-dimensional celestial palace and surroundings are five smaller square mandalas each containing a form of Shri Hevajra with 9 deities. In the central square is Akshobhya-Hevajra, blue in colour, with eight faces, sixteen hands holding skullcups and four legs in a dancing posture. The first pair of hands embrace the consort Vajra Nairatmya (Selfless One), dark blue, with one face and two hands holding a curved knife and skullcup, standing on the left leg with the right embracing Hevajra. They stand atop four corpses within the flames of pristine awareness surrounded by eight goddesses of various colours, each with one face and two hands, standing in a dancing posture on the left leg above a corpse and lotus seat. Beginning from the top and moving in a clockwise direction is Vetali, Dombini, Ghasmari, Pukkasi, Gauri, Shavari, Cauri, and Candali. They all hold their own distinct hand objects.

Surrounding the Akshobhya Hevajra mandala, in the square above, is the deity Amitabha-Hevajra, red in colour, embracing the consort red Pandara Vasini. In the square to the right is Amoghasiddhi-Hevajra, green in colour, embracing light green Samaya Tara. In the square below is Vairocana-Hevajra, white in colour, embracing pink Vajradhatvishvari. In the square to the left is Ratnasambhava-Hevajra, yellow in colour, embracing orange Buddha Locani. Surrounded by their own unique circle of variously coloured eight goddesses each set of figures is otherwise identical in appearance to the central Hevajra.

The floor of the celestial palace is divided into four colours: red, green, white and yellow. Four empowerment vases adorn the four squares of the intermediate directions. The outer red, blue and white lines forming a square enclosure represent the red veranda outside of the palace walls and the stylized decorative facade on the four sides of the palace roof; adorned with upright spears, arrows and banners. The elaborate lintels above each of the four doors ('T' shaped) are constructed of four tiered steps, red, blue, green, and yellow, topped with a Dharma wheel and two reclining deer with a silk canopy above. The palace is placed squarely on a horizontal multi-coloured double vajra (Sanskrit: visvavajra) with only the prongs and makara heads (an Indian mythological sea creature) appearing on the four sides. Surrounding that is a circle of multi-coloured (rectangular) lotus petals (Skt.: padmavali) representing the enormous lotus upon which the entire palace structure rests.

The outer circle containing eight sets of various figures is the ring of the eight great charnel grounds: Gruesome, Frightful with Skulls, Adorned with a Blazing Garland, Dense Jungle, Fiercely Resounding, Forest of the Lord, Dark and Terrible and Resounding with the Cries Kili Kili. They are filled with corpses, fires, caityas, yogis, nagas, wild animals and wrathful worldly deities. The final ring is composed of the multi-coloured fires (Skt.: jvalavali) of pristine awareness completely enveloping the entire Hevajra Pancadaka Mandala.

Along the top are the lineage gurus. Starting from the left is the primordial buddha Vajradhara, followed by Nairatmya, Virupa, and Dombi Heruka riding a tiger along with various Indian mahasiddhas and Tibetan lamas down to Sachen Kunga Nyingpo and his descendants.

On the outside of the mandala circle starting at the left is solitary Hevajra, blue, with one face and two hands, accompanied by two wrathful figures. On the right is Hevajra, blue, with one face and four hands embracing the consort blue Vajravarahi, accompanied by two wrathful figures. At the bottom right is Hevajra, blue, with three faces and six hands embracing blue Vajrashrinkhala, accompanied by two wrathful figures. At the bottom left is the Essence Shri Hevajra, blue, with eight faces and sixteen hands embracing Vajra Nairatmya, accompanied by two wrathful figures.

Along the bottom starting at the left are 9 goddesses of various colours with one face and two hands, standing in a dancing posture. At the right is yellow Ushnisha Cakravartin, wrathful with one face and two hands, followed by blue Humkara and blue Shumbharaja. At the right corner is the wrathful wisdom protector Panjarnatha Mahakala, black, with one face and two hands and Mahakali, black, with one face and four hands, riding a mule.

Shri Hevajra Pancadaka is a tutelary deity of the Anuttarayoga non-dual classification. From the many Hevajra Tantras this representation arises from the Vajra Panjara Tantra and was popularized in India by the pandit Abhayakaragupta and in Tibet by the Sakyapa and Ngog Lotsawa Lineages.

Lineage: Vajradhara, Nairatmya, Virupa, Acarya Dombi Heruka, Alala Vajra, Nag Thropa, Garbharipa, Jaya Shrjnana, Acarya Durjayacandra, Bikshu Viravajra, Drogmi Lotsawa, Ngaripa Salwa'i Nyingpo, Khon Gyichuwa Drala Bar, Sachen Kunga Nyingpo (1092-1158), etc.

The style of the painting is Nepali, evidenced by rigid geometric form, the use of bright red and blue colours and the intricate floral patterns used in the background design and flame patterns.

J.Watt 6-98