With the peaceful gaze of meditation, his blue-black hair in spiral tufts and having the pendulent split ears of a prince, he wears the saffron robes of a fully ordained monk. The right hand is extended across the knee to touch the ground calling the ‘earth’ to witness his enlightenment. The left hand is placed in the gesture of meditation resting in the lap. With the two legs folded in vajra posture the Buddha rests on a moon and multi-coloured lotus seat above a snow lion supported square throne. For the backdrop, ornately displayed, is the ‘six ornament’ design. On each side to the bottom left and right are elephants, supported above are snow lions, a horse and small boy with a conch shell, a makara (sea creature), a naga - with a human upper torso and snake for the bottom and at the top is a single garuda bird beneath an ornate silk canopy. Symbolically the ‘six ornaments’ have many meanings such as the six perfections and the like.

Arranged in front are various excellent offerings: from the god Brahma is a golden wheel of the law, from the Gods of the Four Directions is the black begging bowl; rows of precious wishing jewels and red coral all presented on a pastoral green landscape.

At the top left is the buddha Amitabha, red in colour, with the hands in the posture of meditation. To the right is the buddha of purification, Vajrasattva, white, holding a vajra and bell. Amidst swirling white clouds they are both seated on pink lotus blossoms.

At the bottom left is Guru Rinpoche, Padmasambhava, the original founder of Buddhism in Tibet. Holding a vajra in the right hand and a skullcup and vase in the left, he wears a lotus hat and various coloured robes seated atop a multi-coloured lotus flower. At the right is Avalokiteshvara, the bodhisattva of compassion, white with one face and four hands holding a jewel, crystal mala and a flower; seated above a lotus and pond.

The style of painting is Eastern Tibetan with the open green landscape and a lack of excessive ornamentation.

Jeff Watt 9-98